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Baroque
Movement II — Concerto for Two Chalumeaux in D Minor (Telemann)
Benjamin Davidson
3:10 Est. Play
Time
91 Measures
1,195Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 6 2 4 24%
Bass 24 18 8 5 87%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 6 2 4 24%
Bass 24 18 8 5 87%
Violoncello Bass 22 0 5 4 87%
Violin Treble 26 0 11 3 76%
Chalumeaux
1		 Treble 15 0 4 10 66%
Viola 16 5 4 4 54%
Chalumeaux
2		 Treble 15 0 3 6 45%
 
Clarinet Concerto in D Major, Op.55, OW.22
IGitzDiz
10:39 Est. Play
Time
136 Measures
1,519Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 28 4 13 10 100%
Violino
II		 Treble 24 12 9 8 98%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 28 4 13 10 100%
Violino
II		 Treble 24 12 9 8 98%
Viola 22 2 8 7 97%
Violoncello
e. Basso. 		Bass 25 1 12 7 95%
Clarinetto principale
in
A/La		 Treble 31 0 13 10 75%
2
Corni
in
A/La		 Treble 11 5 2 7 26%
2
Oboi		 Treble 10 2 3 7 24%
 
HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major
edward.maurath
2:40 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
Cello Bass 16 1 0 6 96%
Semele 14 0 3 10 79%
 
J. S. Bach - Harpsichord Concerto No. 1 in D-Minor BWV 1052 2. Adagio
leonkopecny11
7:50 Est. Play
Time
87 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violine Treble 28 0 11 7 100%
Treble 22 0 8 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violine Treble 28 0 11 7 100%
Treble 22 0 8 4 100%
Cembalo Treble 32 2 13 14 72%
Bass 26 0 10 2 100%
Bratsche 23 0 8 3 100%
Kontrabass Bass 26 0 10 2 100%
 
[WIP] Toccata and Fugue in D Minor, BWV 565, for String Orchestra
Austin Harning
14:14 Est. Play
Time
250 Measures
1,871Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 30 4 11 10 87%
Violin
I		 Treble 33 1 12 10 82%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 30 4 11 10 87%
Violin
I		 Treble 33 1 12 10 82%
Violin
II		 Treble 27 6 10 11 78%
Violoncello Bass 26 0 9 10 76%
Double
Bass		 Bass 22 1 7 9 54%
 
Concerto pour Hautbois No. 1
Matéo Bouvier
4:38 Est. Play
Time
81 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
AltoS 18 0 3 5 89%
Violoncelles Bass 17 0 3 3 89%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
AltoS 18 0 3 5 89%
Violoncelles Bass 17 0 3 3 89%
Violons
II		 Treble 16 0 1 6 86%
Violons
I		 Treble 18 0 1 6 76%
Hautbois
Solo		 Treble 28 0 9 10 73%
 
Reverse sketch for a concert. Reversible in unum consulere stude.(Etude-tableaux Opus 4. No.1)
ArrangerMan
2:50 Est. Play
Time
103 Measures
1,107Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 43 56 28 11 72%
Bass 59 56 41 9 79%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 43 56 28 11 72%
Bass 59 56 41 9 79%
 
"Sento brillar" from "Il Pastor Fido," HWV 8, last season
edward.maurath
5:48 Est. Play
Time
104 Measures
2,734Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 68 8 10 99%
Bass 24 50 5 5 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 68 8 10 99%
Bass 24 50 5 5 100%
Violoncello Bass 19 0 3 5 100%
Contrabassi (Continuo) Bass 17 0 3 3 97%
Violas 18 0 4 4 97%
Violins
1		 Treble 20 0 4 4 97%
Violins
2		 Treble 22 0 5 4 97%
Violoncelli (Continuo) Bass 18 0 3 3 97%
Soprano as
Mirtillo		 18 0 6 10 75%
Bassoon (Continuo) Bass 13 0 1 3 31%
Bassoon with
violas		 11 0 1 3 31%
Oboe Treble 16 0 1 4 31%
 
"parolette, rezzi e sguardi" from "Rinaldo," HWV 7 (1731)
edward.maurath
0:01 Est. Play
Time
98 Measures
1,841Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 25 92 5 11 77%
Bass 20 7 3 10 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 25 92 5 11 77%
Bass 20 7 3 10 100%
Violoncello (Continuo) Bass 18 0 3 8 100%
Soprano
as Almirena		 13 0 2 11 77%
Violoncelli (Continuo) Bass 17 0 2 7 76%
Contrabassi (Continuo) Bass 16 0 1 7 75%
Violin Treble 17 0 2 8 75%
 
"Fato crudo, Amor serero" from "Il Pastor Fido," HWV8 (1733)
edward.maurath
2:46 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo (Continuo) Treble 20 14 3 10 65%
Bass 20 4 2 10 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo (Continuo) Treble 20 14 3 10 65%
Bass 20 4 2 10 96%
Violoncello (Contniuo) Bass 20 0 2 10 96%
Contrabassi (Continuo) Bass 20 0 2 10 80%
Violoncelli (Continuo) Bass 20 0 2 10 80%
Violini 1 Treble 16 0 2 9 76%
Violini 2 Treble 16 0 3 8 76%
Soprano
as Mirtillo		 11 0 1 9 72%
 
HWV56N52 - If God be for us, who can be against us?
edward.maurath
4:56 Est. Play
Time
178 Measures
1,919Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 83 7 4 96%
Bass 19 39 7 4 93%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 83 7 4 96%
Bass 19 39 7 4 93%
Organ Treble 21 83 7 4 96%
Bass 19 39 7 4 93%
Violoncello Bass 23 0 8 6 96%
Violin Treble 29 0 11 8 78%
Violone Bass 22 0 7 4 72%
Cello Bass 22 0 7 4 71%
Soprano 17 1 7 10 65%